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Technology and the Early Modern Self

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Cover of 'Technology and the Early Modern Self'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: A New Instrument
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    Chapter 2 The Clockwork Self: Mechanical Clockwork and Early Modern Discipline
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    Chapter 3 Confessions of a Man in Print: Cataloguing Erasmian Literary Ambition
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    Chapter 4 Painted Words Put into the Press: The Forms and Functions of Ambition in Spenser’s The Shepheardes Calender
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    Chapter 5 All Works and No Plays: Jonson’s 1616 Folio and the Redefinition of Dramatic Authorship
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    Chapter 6 The Nimble Gunner and the Versatile Prince: Agility and the Early Modern Military Revolution
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    Chapter 7 Perspectives on Perspective: The Philosophic Eye and the Prehistory of the Telescope and the Microscope
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    Chapter 8 A New “Perspective Glass”: Telescopic Discoveries of Universal Uniformity
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    Chapter 9 “To see a World in a Grain of Sand”: Microscopic Perspectives on Subvisible Wonders
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    Chapter 10 Afterword: Reconsiderations and Prospects
Attention for Chapter 4: Painted Words Put into the Press: The Forms and Functions of Ambition in Spenser’s The Shepheardes Calender
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Chapter title
Painted Words Put into the Press: The Forms and Functions of Ambition in Spenser’s The Shepheardes Calender
Chapter number 4
Book title
Technology and the Early Modern Self
Published by
Palgrave Macmillan, New York, January 2009
DOI 10.1057/9780230619586_4
Book ISBNs
978-1-349-37637-7, 978-0-230-61958-6
Authors

Adam Max Cohen, Cohen, Adam Max

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