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Modernism on File

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Cover of 'Modernism on File'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Silence, Acquiescence, and Dread
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    Chapter 2 Ghostreaders and Diaspora-Writers: Four Theses on the FBI and African American Modernism
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    Chapter 3 Raising Muscovite Ducks and Government Suspicions: Henry Roth and the FBI
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    Chapter 4 Telling Stories from Hemingway’s FBI File: Conspiracy, Paranoia, and Masculinity
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    Chapter 5 Most Wanted: Claude McKay and the “Black Specter” of African American Poetry in the 1920s
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    Chapter 6 Madness, Paranoia, and Ezra Pound’s FBI File
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    Chapter 7 Investigative Savagery: Figuring Hoover in Richard Wright’s Savage Holiday
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    Chapter 8 “Poetess Probed as Red”: Muriel Rukeyser and the FBI
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    Chapter 9 An Archive of the (Political) Unconscious: Jean Renoir at the FBI
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    Chapter 10 New Information from the FBI, CNDI LA-BB-1: The Surveillance of Bertolt Brecht’s Telephone in Los Angeles
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    Chapter 11 Sour Notes: Hanns Eisler and the FBI
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    Chapter 12 Communism, Perversion, and Other Crimes Against the State: The FBI Files of Klaus and Erika Mann
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    Chapter 13 Extorting Henry Holt & Co.: J. Edgar Hoover and the Publishing Industry
Attention for Chapter 8: “Poetess Probed as Red”: Muriel Rukeyser and the FBI
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Chapter title
“Poetess Probed as Red”: Muriel Rukeyser and the FBI
Chapter number 8
Book title
Modernism on File
Published by
Palgrave Macmillan, New York, January 2008
DOI 10.1057/9780230610392_8
Book ISBNs
978-1-349-37076-4, 978-0-230-61039-2
Authors

Jeanne Perreault

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