Handel

Table of Contents

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   Book Overview
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   Chapter 1 Scholarship and the Handel Revival, 1935–85
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   Chapter 2 Sources, Resources and Handel Studies
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   Chapter 3 Handel and his Central German Background
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   Chapter 4 The Case for Handel’s Borrowings: The Judgment of Three Centuries
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   Chapter 5 Why did Handel Borrow?
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   Chapter 6 The Staging of Handel’s Operas in London
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   Chapter 7 English Traditions in Handel’s Rinaldo
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   Chapter 8 The Royal Academy of Music (1719–28) and its Directors
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    Chapter 9 Handel’s Disengagement from the Italian Opera
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    Chapter 10 New Sources for the Libretto of Handel’s Joseph
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    Chapter 11 ‘A Club of Composers’: Handel, Pepusch and Arbuthnot at Cannons
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    Chapter 12 Steffani’s Influence on Handel’s Chamber Duets
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    Chapter 13 Handel’s Italian Cantatas: Some New Sources
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    Chapter 14 The Origins of Handel’s Opus 3: A Historical Review
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    Chapter 15 Handel and the Organ Concerto: What We Know 250 Years Later
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    Chapter 16 Interpreting Handel’s Rhythmic Notation — Some Reflections on Modern Practice