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Ireland and Cinema

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Cover of 'Ireland and Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 ‘Nothin’ But a Wee Humble Cottage’: At Home in Irish Cinema
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    Chapter 3 Gangland Geometries: Space, Mobility and Transgression in the Veronica Guerin Films
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    Chapter 4 ‘Don’t Use Your Own Accents!’: Representations of Dublin’s Accents in Contemporary Film
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    Chapter 5 Beyond Horror: Surviving Sexual Abuse in Carmel Winters’ Snap
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    Chapter 6 Black and White and Green All Over? Emergent Irish Female Stardom in Contemporary Popular Cinemas
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    Chapter 7 Transcending Parochial Borders? Jonathan Rhys Meyers Is Henry VIII
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    Chapter 8 Old and New Irish Ethnics: Exploring Ethnic and Gender Representation in P.S. I Love You
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    Chapter 9 Mediating between His & Hers : An Exploration of Gender Representations and Self-Representations
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    Chapter 10 From Belfast to Bamako: Cinema in the Era of Capitalist Realism
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    Chapter 11 ‘Many Sides, Many Truths’: Collaborative Filmmaking in Transitional Northern Ireland
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    Chapter 12 The Suffering Male Body in Steve McQueen’s Hunger
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    Chapter 13 Mickybo and Me : A Cinematographic Adaptation for an International Audience
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    Chapter 14 Singing in the Rain: The Irish-Themed Film Musical and Schlager ’s Hibernian Moment
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    Chapter 15 Irish Cinema: A French Perspective
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    Chapter 16 Is Adaptation an Act of Transformation? J. B. Keane’s The Field on Screen
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    Chapter 17 Irish Cinema in Italy: The Roma Irish Film Festa
Attention for Chapter 4: ‘Don’t Use Your Own Accents!’: Representations of Dublin’s Accents in Contemporary Film
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Chapter title
‘Don’t Use Your Own Accents!’: Representations of Dublin’s Accents in Contemporary Film
Chapter number 4
Book title
Ireland and Cinema
Published by
Palgrave Macmillan, London, January 2015
DOI 10.1057/9781137496362_4
Book ISBNs
978-1-349-56410-1, 978-1-137-49636-2
Authors

Nicholas O’Riordan, O’Riordan, Nicholas

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