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Visual Culture and the German Middle Ages

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Cover of 'Visual Culture and the German Middle Ages'

Table of Contents

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    Book Overview
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    Chapter 1 Visual Culture and the German Middle Ages
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    Chapter 2 Word and Image as a Field of Research: Sound Methodologies or just a Fashionable Trend? A Polemic from a European Perspective
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    Chapter 3 Writing—Speech—Image: The Competition of Signs
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    Chapter 4 The Shield as a Poetic Screen: Early Blazon and the Visualization of Medieval German Literature
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    Chapter 5 Written Communication in the Illustrated Epic Poem
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    Chapter 6 The Fluid Text: Observations on the History of Transmission and Textual Criticism of the Thirteenth-Century Courtly Epic
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    Chapter 7 Images at the Interface: Orality, Literacy, and the Pictorialization of the Roland Material
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    Chapter 8 Visualizing Performance? Music, Word, and Manuscript
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    Chapter 9 The “Various Writings of Humanity”: Johannes Tauler on Hildegard of Bingen’s Liber Scivias
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    Chapter 10 Scripture, Vision, Performance: Visionary Texts and Medieval Religious Drama
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    Chapter 11 The Logos in the Press: Christ in the Wine-Press and the Discovery of Printing
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    Chapter 12 From the Word of God to the Emblem
Attention for Chapter 12: From the Word of God to the Emblem
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Chapter title
From the Word of God to the Emblem
Chapter number 12
Book title
Visual Culture and the German Middle Ages
Published by
Palgrave Macmillan, New York, January 2005
DOI 10.1007/978-1-137-05655-9_12
Book ISBNs
978-1-349-73244-9, 978-1-137-05655-9
Authors

Thomas Cramer

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