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The Aesthetics of Enchantment in the Fine Arts

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Cover of 'The Aesthetics of Enchantment in the Fine Arts'

Table of Contents

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    Book Overview
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    Chapter 1 Aesthetic Enchantment
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    Chapter 2 The Phenomenology of the Experience of Enchantment
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    Chapter 3 “Watery Words Awash”: The Sounds of Water in Wallace Stevens
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    Chapter 4 Light, Color, Interiority and the Aesthetics of Enchantment
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    Chapter 5 Leonardo’s Enchantress
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    Chapter 6 Lartigue and the Politics of Enchantment
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    Chapter 7 The Ambiguous Meaning of Musical Enchantment in Kant’s Third Critique
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    Chapter 8 Systematic Seductions: Identities of Place in the Sculptures of Bernard Pagès
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    Chapter 9 Art and the Reenchantment of Sensuous Human Activity
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    Chapter 10 Perceiving the Sublime: A Look at Emerson’s Aesthetics
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    Chapter 11 The Creative Voice
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    Chapter 12 The Aesthetics of Enchantment
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    Chapter 13 (Re-)Covering Mystery: Restoring Ancient Avenues of Discovery and Concealment
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    Chapter 14 The Allure of the Naza
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    Chapter 15 Corporeal Disenchantment or Aesthetic Allure? Henri Matisse’s Early Critical Reception in New York
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    Chapter 16 Zizek’s Sublimicist Aesthetic of Enchanted Fantasy
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    Chapter 17 Metaphor and the Hermeneutic Potential of Poetic Discourse
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    Chapter 18 Hermann Hesse: The Search for Oneself
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    Chapter 19 Enchantment in Baroque Festive Court Performances in France: Les Plaisirs de L’Isle Enchantée
Attention for Chapter 3: “Watery Words Awash”: The Sounds of Water in Wallace Stevens
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Chapter title
“Watery Words Awash”: The Sounds of Water in Wallace Stevens
Chapter number 3
Book title
The Aesthetics of Enchantment in the Fine Arts
Published by
Springer Netherlands, February 2016
DOI 10.1007/978-94-017-3234-5_3
Book ISBNs
978-9-04-815405-0, 978-9-40-173234-5
Authors

Nancy Goldfarb

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