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(Syn)aesthetics

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Cover of '(Syn)aesthetics'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Redefining Visceral Performance
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    Chapter 2 Defining (Syn)aesthetics
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    Chapter 3 Connecting Theories
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    Chapter 4 (Syn)aesthetics in Practice
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    Chapter 5 Felix Barrett and Maxine Doyle of Punchdrunk: In the Prae-sens of Body and Space — The (Syn)aesthetics of Site-Sympathetic Work
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    Chapter 6 Lizzie Clachan and David Rosenberg of Shunt Theatre Collective: A Door into Another World — the Audience and Hybridity
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    Chapter 7 Akram Khan: The Mathematics of Sensation — the Body as Site/Sight/Cite and Source
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    Chapter 8 Marisa Carnesky: Trapping the Audience in the Fantasy — Instinct, the Body and the Magic of the Experiential
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    Chapter 9 Naomi Wallace and Kwame Kwei-Armah: Desire, the Body and Transgressive Acts of Playwriting — on Writing and Directing Things of Dry Hours
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    Chapter 10 Linda Bassett: Bypassing the Logical — Performing Churchill’s Far Away
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    Chapter 11 Jo McInnes: A Text That Demands to Be Played With — Performing Kane’s 4.48 Psychosis
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    Chapter 12 Graeae’s Jenny Sealey and Playwright Glyn Cannon: Seeing Words and (Dis)Comfort Zones — the Fusion of Bodies, Text and Technology in On Blindness
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    Chapter 13 Sara Giddens and Simon Jones of Bodies in Flight: The In-Betweens, Where Flesh Utters and Words Move — on Flesh, Text, Space and Technologies
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    Chapter 14 Leslie Hill and Helen Paris of Curious: Embodied Intimacies — On (the) Scent, Memory and the Visceral-Virtual
Attention for Chapter 13: Sara Giddens and Simon Jones of Bodies in Flight: The In-Betweens, Where Flesh Utters and Words Move — on Flesh, Text, Space and Technologies
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Chapter title
Sara Giddens and Simon Jones of Bodies in Flight: The In-Betweens, Where Flesh Utters and Words Move — on Flesh, Text, Space and Technologies
Chapter number 13
Book title
(Syn)aesthetics
Published by
Palgrave Macmillan, London, January 2009
DOI 10.1057/9780230236950_13
Book ISBNs
978-1-349-30678-7, 978-0-230-23695-0
Authors

Josephine Machon

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