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Theatre as Voyeurism

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Cover of 'Theatre as Voyeurism'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Staring at the Forbidden: Legitimizing Voyeurism
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    Chapter 2 Always Looking Back at the Voyeur: Jan Fabre’s Extreme Acts on Stage
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    Chapter 3 The Dramaturgies of the Gaze: Strategies of Vision and Optical Revelations in the Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio
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    Chapter 4 Intimacy, Immersion and the Desire to Touch: The Voyeur Within
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    Chapter 5 In Between the Visible and the Hidden: Modalities of Seeing in Site-Specific Performance
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    Chapter 6 The Pleasure of Looking Behind Curtains: Naked Bodies from Titian to Fabre and LeRoy
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    Chapter 7 Baring All on Stage: Active Encounters with Voyeurism, Performance Aesthetics and ‘Absorbed Acts of Seeing’
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    Chapter 8 Thinking Critical/Looking Sexy: A Naked Male Body in Performance
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    Chapter 9 Viewing the Pornographic Theatre: Explicit Voyeurism, Artaud and Ann Liv Young’s Cinderella
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    Chapter 10 ‘Music for the Eyes’ in Hair : Tracing the History of the Naked Singing Body on Stage
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    Chapter 11 Outlying Islands as Theatre of Voyeurism: Ornithologists, Naked Bodies and the ‘Pleasure of Peeping’
Attention for Chapter 10: ‘Music for the Eyes’ in Hair : Tracing the History of the Naked Singing Body on Stage
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Chapter title
‘Music for the Eyes’ in Hair : Tracing the History of the Naked Singing Body on Stage
Chapter number 10
Book title
Theatre as Voyeurism
Published by
Palgrave Macmillan, London, January 2015
DOI 10.1057/9781137478818_10
Book ISBNs
978-1-349-50235-6, 978-1-137-47881-8
Authors

Tim Stephenson

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