Graphic Imprints

Table of Contents

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   Book Overview
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   Chapter 1 HUNCH 1972: A Second Experiment in Sketch Recognition or: ‘I Know the Concept of Your Concept of Interpolation’
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   Chapter 2 The Representation of a Built Setting Sun
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   Chapter 3 Poetics of Code/Code of Poetics. Generative Design Applied to ‘Arte Concreta’ Masterpieces
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   Chapter 4 The Constructive Drawings of the Architect Juan Antonio García Solera
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   Chapter 5 The University of Sussex by Basil Spence: Graphical Insight of the First ‘Plateglass University’
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   Chapter 6 Between Antinomy and Symmetry. Architectural Drawings of Presentation and Comparison in the XVI Century
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   Chapter 7 Drawings in Colour. The Royal Bullring of El Puerto de Santa María (Cadiz)
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   Chapter 8 Charlotte Perriand’s Drawings. The Graphical Representation of a Modern Life
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    Chapter 9 Interpreting Art Nouveau in Drawings by Gino Coppedé
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    Chapter 10 Colourimetry as Strategy for Geometry Conversion: Computing Evo-Devo Patterns
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    Chapter 11 Javier Carvajal or the Architect’s Special Affinity with Drawing
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    Chapter 12 Hassan Fathy, Aldo van Eyck and Bernard Rudofsky Drawing Architecture
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    Chapter 13 Twenty Century Design Drawings in Italy: The Case of Aldo Morbelli and Carlo Mollino
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    Chapter 14 Images and Learning in Architectural Ideation
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    Chapter 15 Parametric Architecture and Representation, the Experiments of Luigi Moretti
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    Chapter 16 ‘To Understand and to Make Understood’. Annotations on Two Competitions by Enric Miralles
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    Chapter 17 Some Facets of Visual Thinking in Architecture
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    Chapter 18 The Drawings of Horacio Baliero, Between Architecture and Landscape
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    Chapter 19 Ruled Surfaces and Parametric Design
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    Chapter 20 The Fifties Graphic Expression in the Architectural Project. A Parallel Between Europe and America
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    Chapter 21 Training the Inspiration to Ideate Architecture
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    Chapter 22 Information Design: Communication-Design-Record
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    Chapter 23 Drawing a New Architectural Paradigm
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    Chapter 24 Sequential Tectographs: A Graphic Resource for the Constructive Interpretation of Architectural Works
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    Chapter 25 Analysis and Representation of Standardization Processes in Historic Buildings by HBIAM
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    Chapter 26 Competition for the Film Theatre and Library of Catalonia an Overview of the City Derived from the Process of Architectural Design
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    Chapter 27 Comments on 20 Drawings by Current Architects. Would It Be Possible Today?
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    Chapter 28 Augmented Graphic Thinking
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    Chapter 29 Imaginaries Triggers of the Ronchamp Project
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    Chapter 30 Analog and Digital Drawing: Complementation Drawing and Hybrid Drawing
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    Chapter 31 The Sketch: An Ageless Drawing
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    Chapter 32 Graphic Languages as Complementary Systems for Knowledge: Snapshots and Relationships from the History of Representation
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    Chapter 33 Manual Drawing as Means of Reflexion, in the Graphic Ideation
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    Chapter 34 Multidimensional Space: From Perspective to Big Data
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    Chapter 35 Surveying and 3D Modelling of the Andrea Palladio’s Teatro Olimpico in Vicenza. First Studies on Geometric Analysis and Perspectives
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    Chapter 36 Geometric Analysis of Two Brick Ribbed Vaults from the 14th Century in Aragón
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    Chapter 37 Representation and Construction of Skewed Masonry Arch Bridges in England Between 18th and 19th Century
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    Chapter 38 The Architecture of the Altes Museum in Schinkel’s Drawings
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    Chapter 39 “ The Hand, Sister of Eye ”. Architectural Models in Atelier Le Corbusier
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    Chapter 40 The Mausoleum of Galla Placidia in Ravenna: Archaeoastronomy, Numbers, Geometry and Communication
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    Chapter 41 The Graphic Evolution of Architectural Competitions
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    Chapter 42 Modelling and Visualization Issues in the Architectural Heritage BIM
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    Chapter 43 The Scale Model as a Paradigm of Information Systems. The Large-Scale Model of Pompei
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    Chapter 44 Digital Scenarios and Virtual Environments for the Representation of Middle Eastern Architecture
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    Chapter 45 Graphic Representation and Geometric Analysis of the Springers of the Star Vault of the Chapter House of Santa María Monastery in Simat de Valldigna (Valencia, Spain)
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    Chapter 46 A research tool for energy efficiency, the drawing
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    Chapter 47 10 Years of Urban Sketching Imprint
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    Chapter 48 The Averinga’s Edicola and the Cult of Water in Palermo. From Knowledge to Valorisation
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    Chapter 49 Urban Space and Places of Memory: The Survey as a Tool for Investigating the Process of Transformation
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    Chapter 50 Heritage Dissemination Through the Virtual and Augmented Realities
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    Chapter 51 Data, Models and Visualization: Connected Tools to Enhance the Fruition of the Architectural Heritage in the City of Padova
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    Chapter 52 Tectonic Contradictions in Soft-Architecture
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    Chapter 53 Editorial Policies and Politics of Design in the Pre-case Study House Program Decade: The Visual Construction of California Arts & Architecture (193X–194X)
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    Chapter 54 Digital Instruments of Knowledge and Dissemination. The Re-presentation of Baroque Architecture in Sicily
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    Chapter 55 The Role of Drawing and Master Alarifes in the Study of the Sixteenth and Seventeenth Centuries Sevillian Housing from Graphical and Literary Documents
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    Chapter 56 Futurism and Parametricism: Two Sides of the Same Coin?
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    Chapter 57 The Artist David Roberts’ Architectural Design for the Scott Monument, Edinburgh
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    Chapter 58 From Worksite Tracing Drawings to Integrated Digital Models for Reconstructing and Preserving Cultural Heritage
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    Chapter 59 The Avant-Garde in the Work of Fernando García Mercadal
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    Chapter 60 Comics as a Means of Architecture Representation
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    Chapter 61 Old Drawings to Project the New Royal Palace of Madrid
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    Chapter 62 The Drawing of the Cultori-di-Architettura for the Sea of Rome. Ostia Marittima 1916–2016
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    Chapter 63 Movement and Immobility: The Two Faces of Representation
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    Chapter 64 The Architectural Imprint of Ideas
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    Chapter 65 The Symbolism of Figurative Expression
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    Chapter 66 The Invention and the ‘Rule’. The San Carlo Alle Quattro Fontane Complex
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    Chapter 67 BIM Methodology in Heritage Management
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    Chapter 68 Graphic Narration of Places: The Vomero Through the Illustrated Magazines Between ‘800 and’ 900
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    Chapter 69 Makers of Atmospheres. The Image Beyond the Architecture
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    Chapter 70 Industrial Palace, Stretching What Graphic Narratives Can Do for Architecture
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    Chapter 71 Digital Information Archives for an Integrated Documentation of Eremitical Settlements on Amalfi Coast
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    Chapter 72 The 1740 Neapolitan Festivities Drawings
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    Chapter 73 Sant’Elmo in Naples. A Castle to Be Rediscovered
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    Chapter 74 Enric Miralles, Narration and Creation Through Drawing and Compositions
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    Chapter 75 Project the World by Drawing. The Four Books of Francisco de Asís Cabrero
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    Chapter 76 Parametric Processes in Implementing H-BIM on Historical Architecture
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    Chapter 77 The Hybrid Project: Graphic Strategies for Projects on the Architectural Heritage
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    Chapter 78 Based on the Drawing of Vega Y Verdugo, the Reproduction of the Western Facade of the Cathedral of Santiago de Compostela
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    Chapter 79 From the Architecture Treatises to the Portfolio: The Etchings of Piranesi
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    Chapter 80 Light Architectures. The Architectural Representation Between Holography and Reality Increased
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    Chapter 81 Proposal of Graphic Restitution of Linear Landscape
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    Chapter 82 A Graphic Vision of the Headquarters of the Religious Communities of Zamora
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    Chapter 83 The Roman Circus of the City of Tarragona. 10 Years of Collaboration Between Architects and Archaeologists
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    Chapter 84 The Cultural, Geometric, Virtual Models for the Representation of a Survey
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    Chapter 85 Lugo Cathedral’s Cloister: Context and Graphic Description
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    Chapter 86 The Graphic Fonts for the Restoration of the Puerta de Marchena, Moved in 1913 from the Duque de Arcos’ Palace, in Marchena, to the Real Alcázar of Seville
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    Chapter 87 Augmented Graphic Thinking in Geometry. Developable Architectural Surfaces in Experimental Pavilions
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    Chapter 88 Little Big Models. The Tools of Japanese Architect Studios
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    Chapter 89 Digital Tools for Architectural Conception
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    Chapter 90 Geo-Solar Geometry: A Teaching Tool for Understanding the Sun Orbits Around Any Point on Earth: A Global Three-Dimensional Solar Chart
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    Chapter 91 Self-assembling Architecture. User Graphic Manuals
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    Chapter 92 Kerf-Bending Tests: Design for Manufacturing Doubly Ruled Surfaces
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    Chapter 93 The Geometric Cast-Shadows for the Motivation Retrieval
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    Chapter 94 Chair_ludus : Re-drawing the Gerrit Rietveld Chairs
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    Chapter 95 The Physical Modeling in Architectural Design—The Serial Plans
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    Chapter 96 The Digital Model as a Nexus Between the Drawn and the Constructed. The Basilica of Santa Maria of Elche as an Example
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    Chapter 97 Views of Seville Environs Until 1800
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    Chapter 98 Tecnological Gaze: Digital Techniques of Landscape Representation
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     Chapter 99 Digital Representation of Urban Changes: Fragments of the Medieval Palermo
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     Chapter 100 The Survey Plan of Madrid Conducted by Carlos María de Castro
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     Chapter 101 Visual Connections as a Palimpsest of the Coastal Landscape: The System of Coastal Towers of Sardinia
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     Chapter 102 The Importance of Historical Cartography: Its Use in Patrimonial Research. The Case of the Conventual Seville
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     Chapter 103 Drawing Cities and Villages in the Landscape
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     Chapter 104 Hydraulic Infrastructures and Territory: The Cartography of Mythical and Projected Canals in the Lower Guadalquivir and Jerez de La Frontera (1581–1778)
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     Chapter 105 Cartographies and Graphic Models for the Representation of the Mediterranean Space and Its Human Flows
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     Chapter 106 New Graphic Tools for Hospital’s Spatial Analysis and Design
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     Chapter 107 Anamorphic Perspective and Architectural Space. Two Works by Felice Varini and Georges Rousse
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     Chapter 108 Inside the Geometry, that Is Inside the Architecture
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     Chapter 109 The Music of Sant Fructuós’ Measures
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     Chapter 110 Virtual Tours for the Dissemination of Architectural Heritage. The Almudín of Valencia
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     Chapter 111 Sensitive Experience on the Steven Holl Architectural Drawings: Phenomenon, Fragment and Device
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     Chapter 112 Architecture and déjà vus
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     Chapter 113 Movements by Drawing: Avant-Garde Set-Design and Sound Landscapes
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     Chapter 114 Synchronized Artificial Natures: The Secret Life of Trees Connecting York, Delft and Alicante
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     Chapter 115 A New App to Assess the Visual Impact of Buildings in Historical City Centers Called LandArch
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     Chapter 116 Wayfinding Systems and Color to Increase Well-Being in Healthcare Facilities Spaces
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     Chapter 117 Thinking and Intelligence in the Architectural Design. A Review from Language, Graphuage and Manuage
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     Chapter 118 Drawing on Architectural Skin. Mud Dihedral in “Paso Doble” of Miquel Barceló and Josef Nadj: Canvas of a Tragedy for Empirical Knowledge Through the Body and Senses
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     Chapter 119 Street Art in Naples in the Territory of the 8th Municipality
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     Chapter 120 A New Approach to Architectural Representation According to the Principles of Gestalt Perception
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     Chapter 121 Influence of Light and the Geometry of Architectural Envelope Through ‘Experience of an Induced Way’
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     Chapter 122 Drawings and Images for an Inclusive Use of Cultural Heritage
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     Chapter 123 Design of Residential Centres for the Elderly and the Perception in Their Spaces
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     Chapter 124 Phenomenology of Minimalist Perception Applied to Can Lis (Porto Petro, Mallorca, Spain, 1971–1973)
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     Chapter 125 Relationships Between Photography and Cinema and the Construction of the Architect’s Gaze
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     Chapter 126 Morphographies: The New Graphic Category
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     Chapter 127 The Presence of the Visible. Multisensory Experience in Art and Architecture
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     Chapter 128 Impact of BIM on Tools, Resources and Teaching Environments
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     Chapter 129 Origami as a Tool for Three-Dimensional Architectonic Thought
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     Chapter 130 Graphic Classes in the Worldwide Classroom: A Comparison of Two MOOC Experiences
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     Chapter 131 Algorithm Design for Ruled Surfaces. Case Study of Felix Candela
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     Chapter 132 Oriented Approaches. Graphic Operations of Architectural Thinking
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     Chapter 133 Learning Creative Processes from a Constructivist Perspective
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     Chapter 134 Graphic Survey Using Automated Photogrammetry and Its Application to the Teaching Programs Linked to the Architectural Graphic Expression Area
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     Chapter 135 Modular Components as a Generative Design Project Resource for Beginner Architecture Students
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     Chapter 136 Actuality of Art Education at the Beginning of XX Century in East Europe. Graphic Constructions Through Gestaltung and Formenlehre in Figurative Creativities Teaching Pathways
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     Chapter 137 A Drawing Methodology Based on Graphic Experiences in the Alhambra