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Racism and Early Blackface Comic Traditions

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Cover of 'Racism and Early Blackface Comic Traditions'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Recovering the Contexts of Early Modern Proto-Racism
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    Chapter 2 Harlequin as Theatergram: Transmitting the Timeworn Black Mask, Ancient to Antebellum
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    Chapter 3 Beyond Good and Evil Symbolism: Allegories and Metaphysics of Blackfaced Folly from Augustine to Fanon
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    Chapter 4 From Allegorical Type and Sartorial Satire to Minstrel Dandy Stereotype, Zip Coon, Jim Crow, and Blackface-on-Black Violence
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    Chapter 5 Sambo Dialects: Defining National Language Boundaries via Early Representations of Stereotypically Black Speech
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    Chapter 6 Blackface in Shakespeare: Challenging Racial Allegories of Folly and Speech—Cleopatra, Caliban, Othello
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    Chapter 7 Shakespeare in Blackface: Black Shakespeareans versus Minstrel Burlesques, 1821–1844, or Othello versus Otello
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    Chapter 8 Conclusion: A New Theory of Pre-Modern or Proto-Racism
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    Chapter 9 Afterword: White Nationalism, Trolling Humor as Propaganda, and the “Renaissance” of Christian Racism in the Age of Trump
Attention for Chapter 8: Conclusion: A New Theory of Pre-Modern or Proto-Racism
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Chapter title
Conclusion: A New Theory of Pre-Modern or Proto-Racism
Chapter number 8
Book title
Racism and Early Blackface Comic Traditions
Published by
Palgrave Macmillan, Cham, January 2018
DOI 10.1007/978-3-319-78048-1_8
Book ISBNs
978-3-31-978047-4, 978-3-31-978048-1
Authors

Robert Hornback

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