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Africa on the Contemporary London Stage

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Cover of 'Africa on the Contemporary London Stage'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Freedom , London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not
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    Chapter 3 Africa on the British Stage, 1955–1966
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    Chapter 4 ‘On One of Those Sunday Nights’: 50 Years of Africa at the Royal Court Theatre
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    Chapter 5 Biyi Bandele’s Theatre of the Afropolitan Absurd
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    Chapter 6 Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje’s The Estate and Iyale (The First Wife)
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    Chapter 7 Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre Gala
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    Chapter 8 Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Representations of Polyphonic Africa on the Contemporary London Stage
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    Chapter 9 IROKO Theatre and the African Theatre-in-Education Scene in London
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    Chapter 10 ‘But [We] Will Delve One Yard Below Their Mines/And Blow Them at the Moon’: Two Gents—‘Africa’, Shakespeare, and the Silent Revolution
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    Chapter 11 Interview with Ade Solanke
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    Chapter 12 Interview with Rotimi Babatunde
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    Chapter 13 Interview with Dipo Agboluaje
Attention for Chapter 8: Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Representations of Polyphonic Africa on the Contemporary London Stage
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Summary
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Chapter title
Disrupting Historical Mis-representations and Constructions: Talawa Theatre, Tiata Fahodzi, and Representations of Polyphonic Africa on the Contemporary London Stage
Chapter number 8
Book title
Africa on the Contemporary London Stage
DOI 10.1007/978-3-319-94508-8_8
Book ISBNs
978-3-31-994507-1, 978-3-31-994508-8
Authors

Ukaegbu, Victor

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