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Televising Restoration Spain

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Cover of 'Televising Restoration Spain'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Fortunata’s Long Shadow: The Restoration as Televisual Heritage in Acacias 38 and El Secreto de Puente Viejo
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    Chapter 3 Profane Unions: Constructing Heritage from Anarchist-Bourgeois Romances in Ull per ull and Barcelona, ciutat neutral
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    Chapter 4 New Technologies and Transmedia Storytelling in Víctor Ros: Captivating Audiences at the Turn of the Century
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    Chapter 5 From Photography to Forensics: Technology, Modernity, and the Internationalization of Spanish History in Gran Hotel
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    Chapter 6 Dresses, Cassocks, and Coats: Costuming Restoration Gender Fantasies in La Señora
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    Chapter 7 “Las normas son para romperlas”: Emilia Pardo Bazán, Carmen de Burgos, and the Unruly Women of Seis Hermanas
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    Chapter 8 Bandolera: Limits and Possibilities of Period Telenovelas
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    Chapter 9 Creating Locally for a Global Audience: Seis hermanas and the Costume Serial Drama as Quality Television
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    Chapter 10 Commercializing Nostalgia and Constructing Memory in As leis de Celavella
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    Chapter 11 “Felices años veinte?”: Las chicas del cable and the Iconicity of 1920s Madrid
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    Chapter 12 The End of the Restoration: A Vision from the Early Second Republic in 14 de abril. La República
Attention for Chapter 7: “Las normas son para romperlas”: Emilia Pardo Bazán, Carmen de Burgos, and the Unruly Women of Seis Hermanas
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Chapter title
“Las normas son para romperlas”: Emilia Pardo Bazán, Carmen de Burgos, and the Unruly Women of Seis Hermanas
Chapter number 7
Book title
Televising Restoration Spain
Published by
Palgrave Macmillan, Cham, September 2018
DOI 10.1007/978-3-319-96196-5_7
Book ISBNs
978-3-31-996195-8, 978-3-31-996196-5
Authors

Linda M. Willem

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