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Die ästhetisch-narrativen Dimensionen des 3D-Films

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Cover of 'Die ästhetisch-narrativen Dimensionen des 3D-Films'

Table of Contents

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    Book Overview
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    Chapter 1 Die ästhetisch-narrativen Dimensionen des 3D-Films: Neue Perspektiven zur Stereoskopie
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    Chapter 2 The Aesthetic and Narrative Dimensions of 3D Film: New Perspectives on Stereoscopy
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    Chapter 3 Dimension und Dauer: Zum ästhetischen Verhältnis von Raum und Zeit im 3D-Kino
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    Chapter 4 A Three-Dimensional Checkerboard: The Long Take in 3D Films
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    Chapter 5 Gravity —Towards a Stereoscopic Poetics of Deep Space
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    Chapter 6 Sturz in den Raum: Illusion und ihre Auflösung in Andrea Pozzos barockem Deckenfresko in Sant‘Ignazio und im stereoskopischen Film Dredd
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    Chapter 7 Zwischen Rückzugsdrang und Fortschrittszwang: Die Umwertung technologischer Bezüge in Pacific Rim
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    Chapter 8 Transformative Bodies in 3D Cinema: Computer Generated Morphing and Extra-sensory Depth Cues
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    Chapter 9 Stepping Out: Victory and Utopia in the 3D Instalments of the Step Up Franchise
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    Chapter 10 Alfred Hitchcocks Dial M for Murder (1954): 3D als Strategie des narrativen Bildraums
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    Chapter 11 It Came from Outer Space . Das Unbewusste des 3D-Kinos 1953
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    Chapter 12 Cave of Forgotten Dreams (Werner Herzog, 2010) oder: Zur Ko-Existenz (audio-)visueller Praktiken
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    Chapter 13 Über- und Einsichten. Fragen zum D3D-Dispositiv
Attention for Chapter 8: Transformative Bodies in 3D Cinema: Computer Generated Morphing and Extra-sensory Depth Cues
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