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Thinking Through the Creative Hub in Peripheral Places: A Long-View of the Dartington Hall Experiment in Rural Reconstruction Through Creativity

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Cover of 'Thinking Through the Creative Hub in Peripheral Places: A Long-View of the Dartington Hall Experiment in Rural Reconstruction Through Creativity'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Herding Cats: Co-work, Creativity and Precarity in Inner Sydney
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    Chapter 3 Curating Strangers
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    Chapter 4 Creative Hubs, Cultural Work and Affective Economies: Exploring ‘Unspeakable’ Experiences for Young Cultural Workers
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    Chapter 5 Hubs vs Networks in the Creative Economy: Towards a ‘Collaborative Individualism’
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    Chapter 6 Community-Led Coworking Spaces: From Co-location to Collaboration and Collectivization
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    Chapter 7 Hip Hub? Class, Race and Gender in Creative Hubs
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    Chapter 8 Creative Hubs: A Co-operative Space?
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    Chapter 9 Istanbul’s Sounds and Its ‘Creative’ Hubs: Creative Actors Articulating the City into Transnational Networks Through Music
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    Chapter 10 Nairobi’s iHub: Technology for Society
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    Chapter 11 Producing Values: Impact Hub Birmingham as Co-working and Social Innovation Space
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    Chapter 12 Punk Rock Entrepreneurship: All-Ages DIY Music Venues and the Urban Economic Landscape
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    Chapter 13 Thinking Through the Creative Hub in Peripheral Places: A Long-View of the Dartington Hall Experiment in Rural Reconstruction Through Creativity
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    Chapter 14 From Making to Displaying: The Role of Organizational Space in Showing Creative Coolness at the Volkshotel
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    Chapter 15 The City as a Creative Hub: The Case of the Fashion Industry in Milan, Italy
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    Chapter 16 Grassroots Creative Hubs: Urban Regeneration, Recovered Industrial Factories and Cultural Production in Buenos Aires and Rio de Janeiro
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    Chapter 17 Creative Hubs and the Night-Time Economy: Convergent or Divergent?
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    Chapter 18 Exploring the Relationship Between Creative Hubs and Urban Policy in East London
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    Chapter 19 Universities as Creative Hubs: Modes and Practices in the UK Context
Attention for Chapter 15: The City as a Creative Hub: The Case of the Fashion Industry in Milan, Italy
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