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Representations of Science in Twenty-First-Century Fiction

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Cover of 'Representations of Science in Twenty-First-Century Fiction'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Connectivities Between Literature and Science in the Twenty-First Century
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    Chapter 2 The Rise of Psychopharmacological Fiction
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    Chapter 3 Neuropathologies: Cognition, Technology, and the Network Paradigm in Scott Bakker’s Neuropath and Dave Eggers’s The Circle
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    Chapter 4 New Science, New Stories: Quantum Physics as a Narrative Trope in Contemporary Fiction
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    Chapter 5 Digital Technologies and Concrete Poetry: Word, Algorithm, Body
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    Chapter 6 Towards a Posthumanist Conceptualization of Society: Biotechnology in Margaret Atwood’s MaddAddam Trilogy and Ruth Ozeki’s All Over Creation
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    Chapter 7 Genealogies of Genetics: Historicising Contemporary Science in Simon Mawer’s Mendel’s Dwarf and A.S. Byatt’s A Whistling Woman
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    Chapter 8 The Lures and Limitations of the Natural Sciences: Frances Hardinge’s The Lie Tree
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    Chapter 9 “It’s for Fellows Only!”: On the Postcolonial Stance of Matthew Brown’s Maths Film The Man Who Knew Infinity
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    Chapter 10 Thomas Pynchon’s Against the Day and the Technologies of Modernism
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    Chapter 11 Identity, Memory, and Technoscientific Ethics: Limits, Edges, and Borders in The Forbidden Zone
Attention for Chapter 9: “It’s for Fellows Only!”: On the Postcolonial Stance of Matthew Brown’s Maths Film The Man Who Knew Infinity
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Chapter title
“It’s for Fellows Only!”: On the Postcolonial Stance of Matthew Brown’s Maths Film The Man Who Knew Infinity
Chapter number 9
Book title
Representations of Science in Twenty-First-Century Fiction
Published by
Palgrave Macmillan, Cham, January 2019
DOI 10.1007/978-3-030-19490-1_9
Book ISBNs
978-3-03-019489-5, 978-3-03-019490-1
Authors

Norbert Schaffeld

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