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The Gothic in Contemporary British Trauma Fiction

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Cover of 'The Gothic in Contemporary British Trauma Fiction'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: The Gothic in Contemporary British Trauma Fiction
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    Chapter 2 Beyond the Event Horizon: Witnessing the Nuclear Sublime in Martin Amis’s London Fields
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    Chapter 3 Gothic Collisions: Regarding Trauma in Margaret Drabble’s The Gates of Ivory
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    Chapter 4 Fading Into Unknowing: Gothic Postmemory in Ian McEwan’s Atonement
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    Chapter 5 Identification or Exploitation? The Evolution of the Gothic as Metaphor for Trauma in Pat Barker’s Regeneration and Double Vision
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    Chapter 6 Witness or Spectator? Gothic Interrogations of the Reader-Witness in Kazuo Ishiguro’s Never Let Me Go
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    Chapter 7 Conclusion
Attention for Chapter 4: Fading Into Unknowing: Gothic Postmemory in Ian McEwan’s Atonement
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Chapter title
Fading Into Unknowing: Gothic Postmemory in Ian McEwan’s Atonement
Chapter number 4
Book title
The Gothic in Contemporary British Trauma Fiction
Published by
Palgrave Macmillan, Cham, January 2019
DOI 10.1007/978-3-030-26728-5_4
Book ISBNs
978-3-03-026727-8, 978-3-03-026728-5
Authors

Ashlee Joyce, Joyce, Ashlee

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