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Material Religion in Modern Britain

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Cover of 'Material Religion in Modern Britain'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Materiality and Religious History
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    Chapter 2 Objects of Transcendence: Scots Protestantism and an Anthropology of Things
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    Chapter 3 The Material and Visual Culture of the Construction of Irish Catholic Identity: St. Colman’s Cathedral, Queenstown, County Cork
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    Chapter 4 Sanctifying the Street: Urban Space, Material Christianity, and the G. F. Watts Mosaic in London, 1883 to the Present Day
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    Chapter 5 Fashioning Church Interiors: The Importance of Female Amateur Designers
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    Chapter 6 Sounds Taken for Wonders: Revivalism and Religious Hybridity in the British Women’s Suffrage Movement
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    Chapter 7 Early Victorian Moral Anxiety and the Queer Legacy of the Eighteenth-Century Gothic Revival
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    Chapter 8 Interfaith Home Decorating: An Exploration of Religiosity and Home Artifacts within British Interfaith Hybrid Coupledom
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    Chapter 9 Skin as Spiritual Script: Tibetan Buddhism, Tattoos, and the West
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    Chapter 10 An Ancient Modernity: Ikons and the Re-emergence of Orthodox Britain
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    Chapter 11 An English Shade of Animism: Contemporary Statue Devotion and the Glastonbury Goddess Temple
Attention for Chapter 3: The Material and Visual Culture of the Construction of Irish Catholic Identity: St. Colman’s Cathedral, Queenstown, County Cork
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Chapter title
The Material and Visual Culture of the Construction of Irish Catholic Identity: St. Colman’s Cathedral, Queenstown, County Cork
Chapter number 3
Book title
Material Religion in Modern Britain
Published by
Palgrave Macmillan, New York, January 2015
DOI 10.1057/9781137540638_3
Book ISBNs
978-1-349-56615-0, 978-1-137-54063-8
Authors

Ann Wilson

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