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Postfeminism and Contemporary Hollywood Cinema

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Cover of 'Postfeminism and Contemporary Hollywood Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Postfeminism and Contemporary Hollywood Cinema
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    Chapter 2 Neo-Feminism In-Between: Female Cosmopolitan Subjects in Contemporary American Film
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    Chapter 3 Querying Postfeminism in Lisa Cholodenko’s The Kids Are All Right
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    Chapter 4 The Slut That Wasn’t: Virginity, (Post)Feminism and Representation in Easy A
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    Chapter 5 The Girls of Zeta: Sororities, Ideal Femininity and the Makeover Paradigm in The House Bunny
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    Chapter 6 Ageing Appropriately: Postfeminist Discourses of Ageing in Contemporary Hollywood
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    Chapter 7 Hollywood Fatherhood: Paternal Postfeminism in Contemporary Popular Cinema
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    Chapter 8 ‘Chuck Flick’: A Genealogy of the Postfeminist Male Singleton
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    Chapter 9 The Chick’s ‘New Hero’: (Re)Constructing Masculinity in the Postfeminist ‘Chick Flick’
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    Chapter 10 Mancaves and Cushions: Marking Masculine and Feminine Domestic Space in Postfeminist Romantic Comedy
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    Chapter 11 ‘We’re Not Making Forward Progress’: Postfeminist Hypermasculinity in Heat
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    Chapter 12 Towards a New Sexual Conservatism in Postfeminist Romantic Comedy
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    Chapter 13 ‘Hell Is a Teenage Girl’?: Postfeminism and Contemporary Teen Horror
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    Chapter 14 ‘A New Feminist Revolution in Hollywood Comedy’?: Postfeminist Discourses and the Critical Reception of Bridesmaids
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    Chapter 15 Blood, Sweat and Tears: Women, Sport and Hollywood
Attention for Chapter 5: The Girls of Zeta: Sororities, Ideal Femininity and the Makeover Paradigm in The House Bunny
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Chapter title
The Girls of Zeta: Sororities, Ideal Femininity and the Makeover Paradigm in The House Bunny
Chapter number 5
Book title
Postfeminism and Contemporary Hollywood Cinema
Published by
Palgrave Macmillan UK, January 2013
DOI 10.1057/9781137306845_5
Book ISBNs
978-1-349-45523-2, 978-1-137-30684-5
Authors

Joel Gwynne

Editors

Joel Gwynne, Nadine Muller