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Artistic Research in Performance through Collaboration

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Cover of 'Artistic Research in Performance through Collaboration'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Defining the Territory: Collaborative Processes, Issues and Concepts
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    Chapter 2 The Place of Artistic Research in Higher Education
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    Chapter 3 Why Collaborate? Critical Reflections on Collaboration in Artistic Research in Classical Music Performance
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    Chapter 4 The Aesthetics of Artistic Collaboration
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    Chapter 5 In the Bee Hive: Valuing Craft in the Creative Industries
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    Chapter 6 The Right Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Case Study
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    Chapter 7 Soundpainting: A Tool for Collaborating During Performance
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    Chapter 8 Collaboration and the Practitioner-Researcher: A Composer’s Perspective
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    Chapter 9 Creative Industries and Copyright: Research into Collaborative Artistic Practices in Dance
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    Chapter 10 Romance and Contagion: Notes on a Conversation Between Drawing and Dance
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    Chapter 11 The Good, The God and The Guillotine: Insider/Outsider Perspectives
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    Chapter 12 Connecting Silos: Examples of Arts Organisation and HEI Collaborations at the Foundation for Art and Creative Technology
Attention for Chapter 8: Collaboration and the Practitioner-Researcher: A Composer’s Perspective
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