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Spaces Between

Overview of attention for book
Cover of 'Spaces Between'

Table of Contents

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    Book Overview
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    Chapter 1 Reproducing Inequality and Representing Diversity: The Politics of Gender in Superhero Comics
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    Chapter 2 Gendered Violence and Structures of Power. Reclaiming the Victim Narrative in the Netflix Show Marvel’s Jessica Jones
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    Chapter 3 Spider-Analogues: The Unmarking and Unmasking of White Male Superheroism
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    Chapter 4 My Noose Around that Pretty’s Neck: Meditations on Matt Baker’s Good Girls
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    Chapter 5 The Nude and the Naked: From Fine Art to Comics
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    Chapter 6 Fragmented and Framed. Precarious ‘Body Signs’ in Comics by Regina Hofer, Ulli Lust, Barbara Yelin and Peer Meter
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    Chapter 7 Othering Voices and the Voice of the Other: The Depiction of Joseph Merrick in From Hell
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    Chapter 8 Dis/ability and Hybridity: The Bodies of Charles Burns
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    Chapter 9 The Binary Comics of a Non-binary Artist: How Vaughn Bodé’s Identity Structured His Art
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    Chapter 10 Branford the Best Bee in the World. The Socio-Culturally Imprinted Self of Anthropomorphic Bodies
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    Chapter 11 “If only I’d had a nose job”. Representations of the Gendered Jewish Body in the Works of Aline Kominsky-Crumb
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    Chapter 12 Manga Aging: Grannies and Gutters
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    Chapter 13 An Art of Loss
Attention for Chapter 10: Branford the Best Bee in the World. The Socio-Culturally Imprinted Self of Anthropomorphic Bodies
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Chapter title
Branford the Best Bee in the World. The Socio-Culturally Imprinted Self of Anthropomorphic Bodies
Chapter number 10
Book title
Spaces Between
Published by
Springer VS, Wiesbaden, July 2020
DOI 10.1007/978-3-658-30116-3_10
Book ISBNs
978-3-65-830115-6, 978-3-65-830116-3
Authors

Nina Eckhoff-Heindl, Eckhoff-Heindl, Nina

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