Mediations of Disruption in Post-Conflict Cinema

Chapter 1 Introduction: Towards a Poetics of Conflict in Film

Chapter 2 Post-conflict Cinema: Beyond Truth and Reconciliation?

Chapter 3 The Sovereign’s Broken Voice. On the Cinematic Politics of Representation

Chapter 4 Long Is the Road : Politics of Memory in an Early Jewish-German Postwar Film

Chapter 5 Cinema and Conflict in Postcolonial Mozambique: Archival Images as Illustration and Evidence in Estas São as Armas (1978)

Chapter 6 ‘What’s This War in the Heart of Nature?’ Fire, Water, Earth and Air in Terrence Malick’s The Thin Red Line

Chapter 7 The Trauma of Terrorism: Post 9/11 Hollywood Cinema

Chapter 8 A Letter to Osama bin Laden. On Healing and Conciliation in Sharon Maguire’s Incendiary

Chapter 9 Memory and Representation: Japanese Terrorism in Distance and United Red Army

Chapter 11 A Look Back or a Look Ahead? Cinematographic Approaches Toward the ‘Refugee Problem’ in Post-War Germany

Chapter 12 Londres en Colère . Of ‘Translated (Wo)men’, Cinema and the City of Our (Dis)content

Chapter 13 A Palestinian Film We Call Home: Women’s Cinematic Bodies Out of Place

Chapter 14 Challenging Notions of War: Sexual Exploitation of Eastern Migrants in Promised Land