Transversal Enterprises in the Drama of Shakespeare and his Contemporaries

Chapter 1 Transversal Poetics and Fugitive Explorations: Theaterspace, Paused Consciousness, Subjunctivity, and Macbeth

Chapter 2 The Reckoning of Moll Cutpurse: Transversal Reimaginings of The Roaring Girl

Chapter 3 The Delusion of Critique: Subjunctive Space, Transversality, and the Conceit of Deceit in Hamlet

Chapter 4 Comedic Law: Projective Transversality, Deceit Conceits, and the Conjuring of Macbeth and Doctor Faustus in Jonson’s The Devil is an Ass

Chapter 5 I Might Like You Better If We Slept Together: the Historical Drift of Place in The Changeling

Chapter 6 Fugitive Explorations in Romeo and Juliet: Searching for Transversality inside the Goldmine of R&Jspace

Chapter 7 Viewing Antitheatricality: or, Tamburlaine’s Post-Theater

Chapter 8 Becomings Roman/Comings-to-be Villain: Pressurized Belongings and the Coding of Ethnicity, Religion, and Nationality in Peele & Shakespeare’s Titus Andronicus

Chapter 9 Awakening the Werewolf Within: Self-help, Vanishing Mediation, and Transversality in The Duchess of Malfi

Chapter 10 Performative Transversations: Collaborations Through and Beyond Greene’s Friar Bacon and Friar Bungay