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Collaboration in Performance Practice

Overview of attention for book
Cover of 'Collaboration in Performance Practice'

Table of Contents

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    Book Overview
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    Chapter 1 Collaborative Performance-Making in Context
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    Chapter 2 Contemporary Collaborations and Cautionary Tales
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    Chapter 3 Collaboration, Democracy and the Total Artwork
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    Chapter 4 I Want to Work With You Because I Can Speak for Myself: The Potential of Postconsensual Collaboration in Choreographic Practice
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    Chapter 5 Since Each of Us Was Several: Collaboration in the Context of the Differential Self
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    Chapter 6 Collaboration as a Mode of Labour
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    Chapter 7 Ten Propositions for Research-Creation
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    Chapter 8 Rowing to Hilversum: Double Vision in Performance and Architecture
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    Chapter 9 The Author of the Gift: The Practice of Authorship
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    Chapter 10 Asking ‘What is Collaboration?’ on Behalf of Jerzy Grotowski
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    Chapter 11 Te Kore and the Encounter of Performance
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    Chapter 12 ‘Nothing About Us Without Us’: Collaborations between Disabled and Non-Disabled Practitioners
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    Chapter 13 Positive Negatives: Or the Subtle Arts of Compromise
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    Chapter 14 Messy Bits
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    Chapter 15 Productive Misapprehensions: Artscross as a Cross-Cultural Collaborative Zone of Contestation of Contemporary Dance Practice
Attention for Chapter 8: Rowing to Hilversum: Double Vision in Performance and Architecture
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Chapter title
Rowing to Hilversum: Double Vision in Performance and Architecture
Chapter number 8
Book title
Collaboration in Performance Practice
Published by
Palgrave Macmillan, London, January 2016
DOI 10.1057/9781137462466_8
Book ISBNs
978-1-349-55638-0, 978-1-137-46246-6
Authors

Ewan Forster, Christopher Heighes, Forster, Ewan, Heighes, Christopher

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