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Visions of Struggle in Women’s Filmmaking in the Mediterranean

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Cover of 'Visions of Struggle in Women’s Filmmaking in the Mediterranean'

Table of Contents

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    Book Overview
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    Chapter 1 Veiling and Unveiling the Israeli Mediterranean: Yulie Cohen-Gerstel’s My Terrorist and My Land Zion
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    Chapter 2 The Wiles of Maghrebi Women’s Cinema
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    Chapter 3 Visions and Voices of the Self in Take My Eyes
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    Chapter 4 Mutilating and Mutilated Bodies: Women’s Takes on “Extreme” French Cinema
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    Chapter 5 Anthropological Anxieties: Roberta Torre’s Critique of Mafia Violence
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    Chapter 6 Vertigo in the Balkans: Karin Jurschick’s “The Peacekeepers and the Women”
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    Chapter 7 Maria, Irene and Olga “à la recherche du temps perdu …”
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    Chapter 8 Hard to Bear: Women’s Burdens in the Cinema of Yeşim Ustaoğlu
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    Chapter 9 This Woman’s Work: Filming Defeat in the Arabic Idiom: Poetry, Cinema, and the Saving Grace of Hala Alabdallah
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    Chapter 10 “Death is the fairest cover for her shame” Framing Honor Killings
Attention for Chapter 4: Mutilating and Mutilated Bodies: Women’s Takes on “Extreme” French Cinema
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Citations

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Chapter title
Mutilating and Mutilated Bodies: Women’s Takes on “Extreme” French Cinema
Chapter number 4
Book title
Visions of Struggle in Women’s Filmmaking in the Mediterranean
Published by
Palgrave Macmillan, New York, January 2010
DOI 10.1057/9780230105201_4
Book ISBNs
978-1-349-38038-1, 978-0-230-10520-1
Authors

Carrie Tarr

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Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Unspecified 1 100%
Readers by discipline Count As %
Unspecified 1 100%

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