Visions of Struggle in Women’s Filmmaking in the Mediterranean

Chapter 1 Veiling and Unveiling the Israeli Mediterranean: Yulie Cohen-Gerstel’s My Terrorist and My Land Zion

Chapter 2 The Wiles of Maghrebi Women’s Cinema

Chapter 3 Visions and Voices of the Self in Take My Eyes

Chapter 4 Mutilating and Mutilated Bodies: Women’s Takes on “Extreme” French Cinema

Chapter 5 Anthropological Anxieties: Roberta Torre’s Critique of Mafia Violence

Chapter 6 Vertigo in the Balkans: Karin Jurschick’s “The Peacekeepers and the Women”

Chapter 8 Hard to Bear: Women’s Burdens in the Cinema of Yeşim Ustaoğlu

Chapter 9 This Woman’s Work: Filming Defeat in the Arabic Idiom: Poetry, Cinema, and the Saving Grace of Hala Alabdallah

Chapter 10 “Death is the fairest cover for her shame” Framing Honor Killings