The Palgrave Handbook of Posthumanism in Film and Television

Table of Contents

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   Book Overview
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   Chapter 1 Posthumanism in Film and Television
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   Chapter 2 From DelGuat to ScarJo
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   Chapter 3 ‘Self-Immolation by Technology’: Jean Baudrillard and the Posthuman in Film and Television
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   Chapter 4 Derrida on Screen
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   Chapter 5 Bruno Latour: From the Non-Modern to the Posthuman
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   Chapter 6 Friedrich Nietzsche and the Posthuman/Transhuman in Film and Television
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   Chapter 7 Terminated: The Life and Death of the Cyborg in Film and Television
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   Chapter 8 Of Iron Men and Green Monsters: Superheroes and Posthumanism
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    Chapter 9 Growing Your Own: Monsters from the Lab and Molecular Ethics in Posthumanist Film
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    Chapter 10 Post-Singularity Entities in Film and TV
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    Chapter 11 Chimeras and Hybrids: The Digital Swarms of the Posthuman Image
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    Chapter 12 Androids and the Posthuman in Television and Film
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    Chapter 13 ‘Change for the Machines’? Posthumanism as Digital Sentience
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    Chapter 14 Alive in the Net
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    Chapter 15 Autonomous Fighting Machines: Narratives and Ethics
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    Chapter 16 A Contest of Tropes: Screened Posthuman Subjectivities
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    Chapter 17 Desire and Uncertainty: Representations of Cybersex in Film and Television
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    Chapter 18 At Home In and Beyond Our Skin: Posthuman Embodiment in Film and Television
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    Chapter 19 Constructed Worlds: Posthumanism in Film, Television and Other Cosmopoietic Media
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    Chapter 20 Games, Gamers and Posthumanism
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    Chapter 21 ‘Life’s a bitch, and then you don’t die’: Postmortality in Film and Television
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    Chapter 22 A New Lease on Life: A Lacanian Analysis of Cognitive Enhancement Cinema
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    Chapter 23 Limitless ? There’s a Pill for That: Filmic Representation as Equipment for Living
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    Chapter 24 Posthumans and Democracy in Popular Culture
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    Chapter 25 Negative Feelings as Emotional Enhancement in Cinema: The Case of Ulrich Seidl’s Paradise Trilogy
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    Chapter 26 Biopleasures: Posthumanism and the Technological Imaginary in Utopian and Dystopian Film
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    Chapter 27 Of Posthuman Born: Gender, Utopia and the Posthuman in Films and TV
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    Chapter 28 Sharing Social Context: Is Community with the Posthuman Possible?
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    Chapter 29 Our Posthuman Skin Condition
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    Chapter 30 Muddy Worlds: Re-Viewing Environmental Narratives
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    Chapter 31 Executing Species: Animal Attractions in Thomas Edison and Douglas Gordon
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    Chapter 32 The Sun Never Set on the Human Empire: Haunts of Humanism in the Planet of the Apes Films
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    Chapter 33 Uncanny Intimacies: Humans and Machines in Film
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    Chapter 34 Posthumanous Subjects
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    Chapter 35 Identity: Difficulties, Discontinuities and Pluralities of Personhood
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    Chapter 36 The Final Frontier? Religion and Posthumanism in Film and Television
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    Chapter 37 The Ghost in the Machine: Humanity and the Problem of Self-Aware Information
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    Chapter 38 ‘Trust a Few, Fear the Rest’: The Anxiety and Fantasy of Human Evolution
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    Chapter 39 Onscreen Ontology: Stages in the Posthumanist Paradigm Shift
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    Chapter 40 Object-Oriented Ontology