Writing Dancing Together

Chapter 1 Dancing Dicks — A Case In Point(e)

Chapter 2 Modernism, Masculinity and Sexuality in Nijinsky’s L’Après-midi d’un faune

Chapter 3 Rethinking Temporality: Intertextual Plays Within and Between Discourses of Space, Time and Performing Bodies

Chapter 4 Façade, Elvis Legs , and the Humorous Pleasures of Dancing

Chapter 6 ‘Don’t mention Busby Berkeley’: A Reassessment of Lea Anderson’s Yippeee!!!

Chapter 7 Corporeality and Materiality in Pina Bausch’s Tanztheater: Notions of the Irreparable

Chapter 8 Interview with Peter Pabst, Sadler’s Wells, London, 2 February 2002 and Cologne, 22 February 2008

Chapter 9 Interview with Meredith Monk about Turtle Dreams (Cabaret)

Chapter 10 Danced Testimonies of the Traumas of Migration

Chapter 11 Sensation and Memory in Emilyn Claid’s Remember to Forget (2003) and Gilles Deleuze’s Discussion of Francis Bacon’s Paintings

Chapter 12 Affective Differences and Repetitions in Both Sitting Duet

Chapter 13 What the Dancing Body Can Do: Spinoza and the Ethics of Experimental Theatre Dance

Chapter 14 Conclusion