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Writing Dancing Together

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Cover of 'Writing Dancing Together'

Table of Contents

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    Book Overview
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    Chapter 1 Dancing Dicks — A Case In Point(e)
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    Chapter 2 Modernism, Masculinity and Sexuality in Nijinsky’s L’Après-midi d’un faune
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    Chapter 3 Rethinking Temporality: Intertextual Plays Within and Between Discourses of Space, Time and Performing Bodies
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    Chapter 4 Façade, Elvis Legs , and the Humorous Pleasures of Dancing
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    Chapter 5 Napoli and Palermo, Palermo : Cosmopolitanism and Energetic Excess
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    Chapter 6 ‘Don’t mention Busby Berkeley’: A Reassessment of Lea Anderson’s Yippeee!!!
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    Chapter 7 Corporeality and Materiality in Pina Bausch’s Tanztheater: Notions of the Irreparable
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    Chapter 8 Interview with Peter Pabst, Sadler’s Wells, London, 2 February 2002 and Cologne, 22 February 2008
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    Chapter 9 Interview with Meredith Monk about Turtle Dreams (Cabaret)
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    Chapter 10 Danced Testimonies of the Traumas of Migration
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    Chapter 11 Sensation and Memory in Emilyn Claid’s Remember to Forget (2003) and Gilles Deleuze’s Discussion of Francis Bacon’s Paintings
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    Chapter 12 Affective Differences and Repetitions in Both Sitting Duet
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    Chapter 13 What the Dancing Body Can Do: Spinoza and the Ethics of Experimental Theatre Dance
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    Chapter 14 Conclusion
Attention for Chapter 11: Sensation and Memory in Emilyn Claid’s Remember to Forget (2003) and Gilles Deleuze’s Discussion of Francis Bacon’s Paintings
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Chapter title
Sensation and Memory in Emilyn Claid’s Remember to Forget (2003) and Gilles Deleuze’s Discussion of Francis Bacon’s Paintings
Chapter number 11
Book title
Writing Dancing Together
Published by
Palgrave Macmillan, London, January 2009
DOI 10.1057/9780230235335_11
Book ISBNs
978-1-349-35846-5, 978-0-230-23533-5
Authors

Valerie A. Briginshaw, Briginshaw, Valerie A.

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