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Postmodern Parody in Latin American Literature

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Cover of 'Postmodern Parody in Latin American Literature'

Table of Contents

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    Book Overview
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    Chapter 1 Parody and Ideology
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    Chapter 2 Parody and Intertextuality in the Poetry of Twentieth-Century Spanish American Women Writers
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    Chapter 3 Postmodern Parody of The Enchanted Cottage in El beso de la mujer araña : Molina Leaves the Woods
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    Chapter 4 The Re(Naissance) of Texts: Parody and Rewriting in the Work of Luisa Valenzuela
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    Chapter 5 Of Ideological Continuums and Sentimental Memories: Enriquillo Sánchez’s Musiquito: Anales de un déspota y de un bolerista
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    Chapter 6 Parody as Genealogy and Tradition in Nazi Literature in the Americas
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    Chapter 7 Claudia Piñeiro’s Elena Knows : How Parody in the Crime Novel Explores Disability and Feminism
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    Chapter 8 No Laughing Matter: Post-Soviet Cuba in the Orbit of Postmodern Parody
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    Chapter 9 Elective Affinities: The Spectacle of Melodrama and Sensationalism in Cinco esquinas  by Mario Vargas Llosa
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    Chapter 10 Postmodern Transpositions of the Latin American novela de la tierra : Maldito amor by Rosario Ferré Ferré, Rosario and La otra selva by Boris Salazar Salazar, Boris
Attention for Chapter 10: Postmodern Transpositions of the Latin American novela de la tierra : Maldito amor by Rosario Ferré Ferré, Rosario and La otra selva by Boris Salazar Salazar, Boris
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Chapter title
Postmodern Transpositions of the Latin American novela de la tierra : Maldito amor by Rosario Ferré Ferré, Rosario and La otra selva by Boris Salazar Salazar, Boris
Chapter number 10
Book title
Postmodern Parody in Latin American Literature
Published by
Palgrave Macmillan, Cham, January 2018
DOI 10.1007/978-3-319-90430-6_10
Book ISBNs
978-3-31-990429-0, 978-3-31-990430-6
Authors

Helene Carol Weldt-Basson

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