Postmodern Parody in Latin American Literature

Chapter 1 Parody and Ideology

Chapter 2 Parody and Intertextuality in the Poetry of Twentieth-Century Spanish American Women Writers

Chapter 3 Postmodern Parody of The Enchanted Cottage in El beso de la mujer araña : Molina Leaves the Woods

Chapter 4 The Re(Naissance) of Texts: Parody and Rewriting in the Work of Luisa Valenzuela

Chapter 5 Of Ideological Continuums and Sentimental Memories: Enriquillo Sánchez’s Musiquito: Anales de un déspota y de un bolerista

Chapter 7 Claudia Piñeiro’s Elena Knows : How Parody in the Crime Novel Explores Disability and Feminism

Chapter 8 No Laughing Matter: Post-Soviet Cuba in the Orbit of Postmodern Parody

Chapter 9 Elective Affinities: The Spectacle of Melodrama and Sensationalism in Cinco esquinas  by Mario Vargas Llosa

Chapter 10 Postmodern Transpositions of the Latin American novela de la tierra : Maldito amor by Rosario Ferré Ferré, Rosario and La otra selva by Boris Salazar Salazar, Boris