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Postmodern Parody in Latin American Literature

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Cover of 'Postmodern Parody in Latin American Literature'

Table of Contents

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    Book Overview
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    Chapter 1 Parody and Ideology
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    Chapter 2 Parody and Intertextuality in the Poetry of Twentieth-Century Spanish American Women Writers
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    Chapter 3 Postmodern Parody of The Enchanted Cottage in El beso de la mujer araña : Molina Leaves the Woods
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    Chapter 4 The Re(Naissance) of Texts: Parody and Rewriting in the Work of Luisa Valenzuela
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    Chapter 5 Of Ideological Continuums and Sentimental Memories: Enriquillo Sánchez’s Musiquito: Anales de un déspota y de un bolerista
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    Chapter 6 Parody as Genealogy and Tradition in Nazi Literature in the Americas
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    Chapter 7 Claudia Piñeiro’s Elena Knows : How Parody in the Crime Novel Explores Disability and Feminism
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    Chapter 8 No Laughing Matter: Post-Soviet Cuba in the Orbit of Postmodern Parody
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    Chapter 9 Elective Affinities: The Spectacle of Melodrama and Sensationalism in Cinco esquinas  by Mario Vargas Llosa
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    Chapter 10 Postmodern Transpositions of the Latin American novela de la tierra : Maldito amor by Rosario Ferré Ferré, Rosario and La otra selva by Boris Salazar Salazar, Boris
Attention for Chapter 2: Parody and Intertextuality in the Poetry of Twentieth-Century Spanish American Women Writers
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Chapter title
Parody and Intertextuality in the Poetry of Twentieth-Century Spanish American Women Writers
Chapter number 2
Book title
Postmodern Parody in Latin American Literature
Published by
Palgrave Macmillan, Cham, January 2018
DOI 10.1007/978-3-319-90430-6_2
Book ISBNs
978-3-31-990429-0, 978-3-31-990430-6
Authors

Patricia M. Montilla

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